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Today could be any day,
I won’t talk specifics.
But not this day.  Not this day.

In the morning, before I made him leave
with the vagrants, I told him about swans.
I dreamt of hiding, and everywhere I went,
there he was, tall form,
with a look on confusion on his face,
“Raped you?”
How odd, then, to now be in a safe place,
to have a real bed.

I am not the girl whose head he shaved.
I am a hard stone.  I am no longer interested
in soft curves.  I am made of angles.
I shot him twice and his eyes closed,
head fell back, and his hat fell off.
I thought of apples and arrows and I said,
“Your hat fell off.”  and he said, “I know, I’m dead.”
And yes I think it means something if I throw up
in my mouth at the sight of you.

Realization: it’s not you that I want but the absence of something else.
©2007-2009 ~literary-device
:iconliterary-device:

Author's Comments

an assignment from my poetry class with OMGMARIEHOWE.

we had to do 5 freewrites and then take the lines we really loved from them and turn them into a poem.

Comments


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:iconkrystletwystd:
I love this. This is mind-blowing, and while I'm not a huge fan of the realization line (I think "the abscence of something else" is a bit cliche and too vague for the rest of the poem), I still think the realization captures the essence of things very well.
:iconliterary-device:
yay! you like it!
uhh i totes agree about the last line: unfortunately, i had to work with what i got. you know how it is. yo.

--
If I killed one man, I killed two.
:icononevioletrose:
This is wonderful in its dreamy sort of state.

--
I see your beauty in the semi-darkness. You ask me to turn the light on. I falter.
:iconliterary-device:
thanxxx.

--
If I killed one man, I killed two.

Details

September 17, 2007
1.1 KB

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